The space has been divided -
on one side is where the performance occurs, and on the other side the film is projected.
on one side is where the performance occurs, and on the other side the film is projected.
The performance space is full with leftovers; blood of ink and water sweating from the hanged fabrics; poetry and letters are written on the walls;
laundry hangers have been repurposed; and books, so many books.
laundry hangers have been repurposed; and books, so many books.
You can experience the madness of textual and visual research -
Biblical prohibitions about gender and sex, psychological and theoretical texts, poetry.
Biblical prohibitions about gender and sex, psychological and theoretical texts, poetry.
By tearing apart pieces of fabric sawed into a tight and multilayer bodysuit; drawing on the pieces the mixed words and hand washing it; reproducing it.
The actions in the performance erases and rewrites the etymological image of the words, which has been printed in our subconscious.
Actions of appropriation.The actions in the performance erases and rewrites the etymological image of the words, which has been printed in our subconscious.
The film interacts with the performance space to ignition an inter-psychological process in the viewers,
and is led by the journey of an anonymous female character, who’s meeting an androgynous in her dream.
and is led by the journey of an anonymous female character, who’s meeting an androgynous in her dream.
The visual and emotional control is projecting, and the narrated visual journey enables a reflection on the prevailing religious perception of gender in our culture.
Personal memory, trauma and gender taboos.
How much does the cultural memory shapes us,
And how is the healing process of gender trauma can happen in this kind of culture?
And how is the healing process of gender trauma can happen in this kind of culture?
above;
stills from the performance
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stills from the performance
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below;
stills from the film
stills from the film
process